Saturday, May 1, 2010

thehunger

If any topic has been sucked of its goodness it would be vampires (pun so definitely intended). and even though this may not be the original vampire movie, it is the best. not much in terms of a soundtrack other than a few iggy pop songs and the opening scene which is a live performance of 'bella lugosi's dead' by 'bauhaus', which is worth watching the movie for in its self. its dark, atmospheric and iconic 80's greatness. but the score is what you should really listen for. composed by micheal rubini and denny jaeger, its cold, calculated and absolutely perfect.

of course the awesome stylised-ness and the too hot chemistry that is catherine deneuve and david bowie helps the whole thing along as well.







Wednesday, April 28, 2010

spandauballet

spandau ballet may have been owned by tears for fears at the concert last friday night. which i can't say is that surprising. but they didn't completely luck out, they had put together a montage (ew, hate that word) of their own private photos that played on the jumbotron throughout the slow jams. if you could excuse the cliched sappy-ness of this idea, the photos were completely fantastic. most from their early early days touring, with an average age of 20 give or take, the photography was some of the best band photos ive seen. and i suppose the subjects weren't at all damaging to the lens either, maybe some of the most beautiful people i have ever seen. all would have been good if they hadn't made the contrast between 'now and then' so absolutely unavoidable. however even if the looks had faded the level of 'camp' certainly hadn't, that was also absolutely unavoidable.
'True' was still amazing, and i would see it a million times.

I have been unsuccessful in finding photos to do all this justice, so these will have to do

STEN & LEX

"'Poster Stencil' because they are both stencil and poster in the same time.
as you can see we pasted up the matrix of the stencil -cut on paper- on a panel of wood as a poster, we painted on the matrix in black and when all is dry we destroy the matrix letting some parts of the matrix pasted on the wood. By this way the stencil is not reproducible and the matrix die in the work itself."

- Pretty incredible technique. {TESSA DO IT)









you can check out more at --> http://www.flickr.com/photos/-sten-/

'Clipper'

Went to a really nice cafe for lunchylunch today, called 'Clipper' on Glebe Point Rd (up pmatta rd end). I think you can always judge a cafe on the quality of their chai latte, and 'Clipper' is no exception to my rule of chai. It was great with real spicy bits, i would give it a 9 on my chai scale. the cafe was full of cool looking people and had a nice chilled vibe going on. really nice on a sunny wednesday arvo. i also had a fresh fruit salad which was delightful, ne'er a crappy piece of fruit in sight. nice place to take the mama out for a spot of lunch.

Monday, April 26, 2010

tom verlaine





tomverlaine//johnlydon


tomverlaine//pattismith

marquee moon//television

I remember the light of darkness doubled,
I recall lightning struck itself,
I was listenin', listenin' to the rain,
I was hearin', hearin' someone else.
I'm in the high point of my night, I feel so impressive, life,
All this time with the Marquee Moon, but just waitin'.

I spoke to the man down at the tracks,
And I asked him how he don't go mad,
He said: "Look here, junior, don't you be so happy,
And for Heaven's sake, don't you be so sad."
I'm in the high point of my night, I feel so d(?)st impressive life,
All this time with the Marquee Moon, hesitating.

Well, a Cadillac, it pulled out of the graveyard,
Pulled up to me, oh they said, "get in, get in".
Then this Cadillac, it puttered back into that graveyard,
Me, I got out again.
I'm in the high point of my life, I feel so impressive, life,
All this time with the Marquee Moon, but I ain't waitin', uh-uh.

I remember how the darkness doubled, I recall lightning struck itself,
I was listenin, listenin' to the rain, I was hearin', hearin', something else.

Wednesday, April 21, 2010

developing film

why must developing 120film be so expensive and take so long. and why am i so lazy that i never go and get it developed.

i would like a darkroom in my house if anyone is offering.

Thursday, April 15, 2010

lesley gore

classic



 
 
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